6/16/2023 0 Comments Jin high note studio recording![]() I didn’t try to convey an accurate message or emotion to the audience. Just as we don’t have only one emotion in a relationship, I made the scenes thinking that it would be nice to give a feeling different depending on the person and condition we see. Was this ambiguity deliberate or was there a specific message or emotion that you wanted to convey to the audience? I went to the mountains, fields, and garbage dumps to collect ingredients for sound recording.Įvery time I watch SAN, I think it’s about something different and it feels like the animation evolves organically along with my mood and state of mind. I’m very specific about my sound and Yoonseok Oh knows how to make my film sound the way I want. Yoonseok Oh helped me to record the right sounds from the stuff I collected. Sound recording and mastering sessions usually go very smoothly. Since sound design has a very important role in bringing imaginative images to reality, I tried to record the right foley sounds to fit the bizarre images. I plan what sounds to use for the scenes when I start drawing. After I finished all the drawings, I went to the mountains, fields, and garbage dumps to collect ingredients for sound recording. One of the exciting parts about making animation is that I can create sounds for the whole universe of a film. I can create not only an ambience sound, but also small things like the sound of a stone rolling, in completely my own way. Why was this important to you and how did you and Yoonseok Oh work together to achieve this organic, yet otherworldly and eerie sound? However in SAN, the sound design plays a prominent, even overbearing role. Good sound design is meant to be paired so perfectly with the visuals that it goes unnoticed. I always use After Effects for the final editing of the films, so I also used the same program for making the movements of APPA. Only I used the digital cutout for the walking movement of APPA, but there was no need for different techniques than previous works. I’m always drawing on paper so I did the same thing for making SAN too. I believe that people can read the theme of the work more clearly when they see something unfamiliar or uncomfortable repeatedly.įrom a technical point of view, did this film differ from your previous animations? I am very interested in the dynamics of the human body, and I think animation is the best way to implement all the movements I want to show. By repeatedly showing the process of collapsing and dismantling a body, I want to make the audience feel that the situation is heightened and make them find the meaning inside of the scenes. Talk me through your creative process and how you went about translating such a conceptual piece visually? SAN delivers a certain feeling which we can have in a relationship between very close people like family or partners. When the story came up in my head, I wanted to face the feeling I have for my family.
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